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Ballet Star Matthew Ball on Demanding Roles and Social Media Scrutiny: 'I'm Not Protective About My Body'

In the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is effortlessly upright, his limbs defined beneath a plain tee. During performances, ballet dancers can seem like mighty gods, yet frequently in person they are small. This is not true for Ball, whose height is part of his popularity for princely characters and pas de deux work. With delicate traits and piercing eyes, there's a touch of a brooding actor about him.

An Apparent Rise to the Top

At 31, Ball is enjoying the peak of a career that has progressed smoothly. Raised in Liverpool, he encountered minimal ridicule for his childhood interest in ballet. Joining the esteemed training institution at 11, he graduated straight into the company and was promoted annually, reaching the top rank of principal in 2018. He has loved taking on substantial characters, especially the emotional angst found in Kenneth MacMillan's ballets.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming starring appearance is as himself, in an "In Conversation" event designed to offer behind-the-scenes insights into a performer's art. He will walk the audience through a part, showing his cognitive process while performance. Yet in more comedic works, the test is significant. "Don Quixote is one of the toughest from a skill perspective," he states.

The Mental Game and Post-Performance Feelings

How does he feel after a performance, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to squeeze all the juice out of it, and get lost in the character, frequently I do feel embarrassed afterwards. Following an intense role I'm always like: God, what must people think?"

In person, Ball is reflective, mild-mannered, and quick to laugh at himself. But a dance maker once remarked on a "sense of suffering in him." Is there? "I'm quite active usually, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."

Early Motivations and Creative Influences

Ball's determination stemmed from early experiences. Not excelling in contests at school made him "driven!" This became fuel to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he recalls.

An upcoming challenge is creating his own dance works. For Ball, "there's nothing wrong with." "Challenging the rules is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing ideas from books, music, and art.

Close-Up Dance and Private Partnership

He also is interested in presenting dance in smaller spaces. "It was just really thrilling," he says of a past experience. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has made pieces with his girlfriend, fellow lead dancer Mayara Magri. The degree of trust between them is clear. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." The couple aren’t typically matched on stage at their home company, which might be healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s favorite supporter."

Regarding Instagram and Bodily Perception

On Instagram, followers can see clips from his projects and images that highlight a athletic physique. Does he care that the engagement can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to viewing Michelangelo’s David—an object that can be interpreted on various levels.

Ball describes his early self as "eager for success." Has it met his hopes? "I am conscious of how life is a different thing to the dreams you made as a child," he muses. He probably has another decade of dancing ahead. "I suppose in the future, I want to be a bit more kind with myself."

About the author

Sharon Shannon

A tech journalist and digital strategist with over a decade of experience covering emerging technologies and their impact on business and society.

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